A collection of lyric essays/creative non-fiction about growing up into and practicing Pinay poetry/poetics, as a young immigrant and daughter of hustling immigrants, woman of color writer, educator and mentor.
About the author:
Barbara Jane Reyes is the author of Letters to a Young Brown Girl (BOA Editions, Ltd., 2020).
She was born in Manila, Philippines, raised in the San Francisco Bay Area, and is also the author Gravities of Center (Arkipelago Books, 2003), Poeta en San Francisco (Tinfish Press, 2005), which received the James Laughlin Award of the Academy of American Poets, Diwata (BOA Editions, Ltd., 2010), which received the Global Filipino Literary Award for Poetry, To Love as Aswang (Philippine American Writers and Artists, Inc., 2015), and Invocation to Daughters (City Lights Publishers, 2017).
Her seventh book, Wanna Peek Into My Notebook?: Notes on Pinay Liminality, is forthcoming from Paloma Press in 2022.
She is also the author of the chapbooks Easter Sunday (Ypolita Press, 2008) Cherry (Portable Press at Yo-Yo Labs, 2008), and For the City that Nearly Broke Me (Aztlán Libre Press, 2012).
Her work is published or forthcoming in Arroyo Literary Review, Asian Pacific American Journal, As/Us, Boxcar Poetry Review, The Brooklyn Rail, Chain, Eleven Eleven, Entropy, Fairy Tale Review, Fourteen Hills, Hambone, Kartika Review, Lantern Review, New American Writing, New England Review, New York Times Magazine, North American Review, Notre Dame Review, Origins Journal, Poetry, Prairie Schooner, South Dakota Review, Southern Humanities Review, TAYO Literary Magazine, World Literature Today, xcp: Cross Cultural Poetics, among others.
An Andrew W. Mellon Foundation Fellow, she received her B.A. in Ethnic Studies at U.C. Berkeley and her M.F.A. at San Francisco State University. She is an adjunct professor at University of San Francisco's Yuchengco Philippine Studies Program. She lives with her husband, educator and poet Oscar Bermeo, in Oakland.
About the author:
Barbara Jane Reyes is the author of Letters to a Young Brown Girl (BOA Editions, Ltd., 2020).
She was born in Manila, Philippines, raised in the San Francisco Bay Area, and is also the author Gravities of Center (Arkipelago Books, 2003), Poeta en San Francisco (Tinfish Press, 2005), which received the James Laughlin Award of the Academy of American Poets, Diwata (BOA Editions, Ltd., 2010), which received the Global Filipino Literary Award for Poetry, To Love as Aswang (Philippine American Writers and Artists, Inc., 2015), and Invocation to Daughters (City Lights Publishers, 2017).
Her seventh book, Wanna Peek Into My Notebook?: Notes on Pinay Liminality, is forthcoming from Paloma Press in 2022.
She is also the author of the chapbooks Easter Sunday (Ypolita Press, 2008) Cherry (Portable Press at Yo-Yo Labs, 2008), and For the City that Nearly Broke Me (Aztlán Libre Press, 2012).
Her work is published or forthcoming in Arroyo Literary Review, Asian Pacific American Journal, As/Us, Boxcar Poetry Review, The Brooklyn Rail, Chain, Eleven Eleven, Entropy, Fairy Tale Review, Fourteen Hills, Hambone, Kartika Review, Lantern Review, New American Writing, New England Review, New York Times Magazine, North American Review, Notre Dame Review, Origins Journal, Poetry, Prairie Schooner, South Dakota Review, Southern Humanities Review, TAYO Literary Magazine, World Literature Today, xcp: Cross Cultural Poetics, among others.
An Andrew W. Mellon Foundation Fellow, she received her B.A. in Ethnic Studies at U.C. Berkeley and her M.F.A. at San Francisco State University. She is an adjunct professor at University of San Francisco's Yuchengco Philippine Studies Program. She lives with her husband, educator and poet Oscar Bermeo, in Oakland.