Description
Poetry. Asian & Asian American Studies. "There are so many paths thru the enchanted forest that is Eileen Tabios' oeuvre that no one can possibly take them all in one lifetime. So it is with something approaching glee that I find here a completely unexpected one: a mid- career 'selected' constructed around her recurring use of the list / catalogue-form. Did I say the list-form? No, pluralize that, and prepare to encounter an entire ecosystem of catalogues and lists. And don't for a minute let this lead you to think that this is a book of 'weak conceptualism', not that there's anything wrong with weakness (in the sense of an antifoundationalism), nor with conceptualism, because there's not. Think rather that you are encountering poetry, sans qualifiers; prepare to read; and (quoting Perec quoting Verne) 'Look with all your eyes, look'. This is the real stuff." John Bloomberg- Rissman"
About the Author
Poet and writer Eileen Tabios was born in the Philippines and moved to the United States when she was 10. She earned a BA in political science from Barnard College and an MBA from New York University's Stern School of Business. Founder and editor of the online poetry review journal Galatea Resurrects (A Poetry Engagement), Tabios has authored essays, fiction, and collections of mixed-genre writing. Her many collections of poetry include THE IN(TER)VENTION OF THE HAY (NA)KU: SELECTED TERCETS 1996-2019 (Marsh Hawk Press, 2019), WITNESS IN THE CONVEX MIRROR (Tinfish Press, 2019), MURDER DEATH RESURRECTION: A POETRY GENERATOR (Dos Madres Press, 2018), Hiraeth: Tercets from the Last Archipelago (2018), Love in a Time of Belligerence (2017), AMNESIA: SOMEBODY'S MEMOIR (Black Raddish Books, 2016), THE CONNOISSEUR OF ALLEYS (Marsh Hawk Press, 2016), INVENT(ST)ORY (Dos Madres Press, 2015), and Sun Stigmata (2014), among many others.
Poetry. Asian & Asian American Studies. "There are so many paths thru the enchanted forest that is Eileen Tabios' oeuvre that no one can possibly take them all in one lifetime. So it is with something approaching glee that I find here a completely unexpected one: a mid- career 'selected' constructed around her recurring use of the list / catalogue-form. Did I say the list-form? No, pluralize that, and prepare to encounter an entire ecosystem of catalogues and lists. And don't for a minute let this lead you to think that this is a book of 'weak conceptualism', not that there's anything wrong with weakness (in the sense of an antifoundationalism), nor with conceptualism, because there's not. Think rather that you are encountering poetry, sans qualifiers; prepare to read; and (quoting Perec quoting Verne) 'Look with all your eyes, look'. This is the real stuff." John Bloomberg- Rissman"
About the Author
Poet and writer Eileen Tabios was born in the Philippines and moved to the United States when she was 10. She earned a BA in political science from Barnard College and an MBA from New York University's Stern School of Business. Founder and editor of the online poetry review journal Galatea Resurrects (A Poetry Engagement), Tabios has authored essays, fiction, and collections of mixed-genre writing. Her many collections of poetry include THE IN(TER)VENTION OF THE HAY (NA)KU: SELECTED TERCETS 1996-2019 (Marsh Hawk Press, 2019), WITNESS IN THE CONVEX MIRROR (Tinfish Press, 2019), MURDER DEATH RESURRECTION: A POETRY GENERATOR (Dos Madres Press, 2018), Hiraeth: Tercets from the Last Archipelago (2018), Love in a Time of Belligerence (2017), AMNESIA: SOMEBODY'S MEMOIR (Black Raddish Books, 2016), THE CONNOISSEUR OF ALLEYS (Marsh Hawk Press, 2016), INVENT(ST)ORY (Dos Madres Press, 2015), and Sun Stigmata (2014), among many others.